60

For this project, I was given a simple yet demanding constraint: to photograph 60 different images of the same model, in the same location, within one hour. Rather than treat this as a purely technical challenge, I used it as an opportunity to explore the relationship between the human body, movement, and nature. Inspired in part by the work of Francesca Woodman, whose photographs often dissolve the boundaries between body and environment, I approached the model not as a static subject, but as a presence in constant dialogue with her surroundings. Through subtle shifts in gesture, rhythm, and posture, she becomes part of the space: at times blending into it, at other times disrupting it. The setting of a greenhouse, a place where nature is structured and contained, allowed for an exploration of the tension between control and spontaneity. This tension was mirrored not only in the setting and the body’s interaction with the space but also in the constraints of the challenge itself. The one-hour time limit introduced a sense of urgency and improvisation, prompting instinctive decisions and responsive movement from both the photographer and the model. The work became a study of how body and space respond to one another, positioning space as an active collaborator rather than a passive backdrop.